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An ideologically unbiased writer of popular fiction, Kanakaki Robun enlisted himself in the contemporary literary trend of the early Meiji era while retaining his traditional techniques. His A Sukiyaki Pan (安愚樂鍋), a work full of witty humor, depicts new social manners with old-fashioned narrative techniques. In Proceedings of a Beasts' Assembly (禽??議?), Ahn Kooksun propagates Christian thoughts and regrets that traditional morality is on the wane. By using terms out of Western thought, he demonstrates his new learning that he has absorbed from the West. As a work of enlightenment and edification, his novel satirizes the new intellectual mode of the new era from the viewpoint of Confucian thought. It makes a diagnosis of the new social manners and customs that mimic those of foreign countries.
The Kumkang Gate (金剛門) by Choi Chanshik has so many echoes of Suehiro Tetzuchyo's A Japanese Apricot in the Snow (雪中梅) or Ku Yonhak's work of the same title as Suehiro's that it arouses a suspicion of plagiarism. Moreover, Suehiro's novel serves as a guide to the development of Japanese politics in the new era while those of Ku Yonhak and Choi Chanshik represent, for a didactic purpose, the vicissitudes of individual lives from the traditional standard of values.
A Little Cuckoo (不如) by Tokutomi Roka is concerned with the wretchedness of a woman chained down by the old social conventions. It also brings into relief the dangers of the new trend of thought and the conflicts of heterogeneous ways of thinking. Sun Wooil's A Cuckoo's Cry (杜鵑) is an adaptation of Tokutomi's story. Following the narrative style of old fiction, it heavily depends on narration rather than on description. It portrays a woman destined to suffer the outrages of the feudalistic, oppressive Confucian society.
The Korean novels mentioned above have in common the motif of exile, wandering, and returning to one's hometown. This theme in fiction has to do with the historical realities of the time. After Japan's annexation of Korea in 1910, the viceregal government's consistent policy of land dispossession drove many Koreans into exile. The farmers who were dispossessed of their land migrated to Manchuria or Siberia in order to get out of poverty and oppression. But they could not find a Utopia anywhere.
The Kumkang Gate (金剛門) by Choi Chanshik has so many echoes of Suehiro Tetzuchyo's A Japanese Apricot in the Snow (雪中梅) or Ku Yonhak's work of the same title as Suehiro's that it arouses a suspicion of plagiarism. Moreover, Suehiro's novel serves as a guide to the development of Japanese politics in the new era while those of Ku Yonhak and Choi Chanshik represent, for a didactic purpose, the vicissitudes of individual lives from the traditional standard of values.
A Little Cuckoo (不如) by Tokutomi Roka is concerned with the wretchedness of a woman chained down by the old social conventions. It also brings into relief the dangers of the new trend of thought and the conflicts of heterogeneous ways of thinking. Sun Wooil's A Cuckoo's Cry (杜鵑) is an adaptation of Tokutomi's story. Following the narrative style of old fiction, it heavily depends on narration rather than on description. It portrays a woman destined to suffer the outrages of the feudalistic, oppressive Confucian society.
The Korean novels mentioned above have in common the motif of exile, wandering, and returning to one's hometown. This theme in fiction has to do with the historical realities of the time. After Japan's annexation of Korea in 1910, the viceregal government's consistent policy of land dispossession drove many Koreans into exile. The farmers who were dispossessed of their land migrated to Manchuria or Siberia in order to get out of poverty and oppression. But they could not find a Utopia anywhere.
목차
〈要旨〉
1. はじめに
2. ?換期の世態 : 『牛店?談安愚?鍋』と「禽??議?」
3. 政治的な人間の創造 : 『政治小?雪中梅』と『金剛門』
4. ??と女性?の見 : 『不如?』と『杜鵑?』
【?考文?】
ABSTRACT
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