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Reinterpretation Study of 12 Disney Principles Based on Mikhail Chekhov's Psychological Gesture Theory
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미하일 체홉의 심리 제스처 이론을 통해서 본 디즈니 12가지 원리의 재해석 연구

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Type
Academic journal
Author
Junho Chung (건국대학교) Ji Ho Shin (건국대학교)
Journal
The Animation Society of Korea The Korean Journal of animation Vol.13 No.2 (Wn.42) KCI Accredited Journals
Published
2017.6
Pages
132 - 150 (19page)

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Reinterpretation Study of 12 Disney Principles Based on Mikhail Chekhov's Psychological Gesture Theory
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Research history (2)

2017

Reinterpretation Study of 12 Disney Principles Based on Mikhail Chekhov’s Psychological Gesture Theory
Junho Chung ,  Ji Ho Shin The Korean Journal of animation 2017.06 Academic journal
A Study of Animation Acting Theory : Based on Mikhail Chekhov's acting theory and Animation 12 principles
정준호 영상학과 2017.01 Thesis
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Abstract· Keywords

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This study is about the possibility of presenting the acting theory of animation. For this purpose, I will examine the character acting theory of Walt Disney which is the representative of acting theory of animated characters, and try to find out whether there are limitations and improvement points. In childhood, Walt Disney was influenced by Charlie Chaplin and Buster Keaton influenced by comedies Del Arte. Walt chose realism for commercial success tool and he introduced realistic characters to his first full length animated feature, Snow White and Seven Dwarfsanimation in 1937. The introduction of realistic characters naturally leads to the concept of acting. From this moment, Animation required acting, not just moving. Without systematic training or theoretical basis for acting, he referred to the acting of Hollywood actors for realistic animation acting. However Walt Disney eventually failed to present his own theory of acting in animation. Instead, Disney organizes twelve principles of animation. Disney’s twelve principles are useful in motion theory, but these principles can be reinterpreted as the theory of specific character psychological expressions, which is the core of acting theory. Unlike a play, a movie can delicately express the psychology of an actor through shots. An animation also needs a theory of acting for the expression of a psychology of a character as well as a live action acting theory. In the movie or on the stage, the actor’s acting is visualized through the body of the actor, but in the animation there is no body of the actor.
But in the animation, the body of the actor can be replaced by the motion of the image. Psychological analysis for character has the same process for both actor and animator. Therefore, If you replace the theories of the actors’ gesture with the theories of motion, you can present an acting theory of for animation.
To this end, I will reinterpret Disney’s twelve principles based on Mikhail Chekhov’s psychological gesture theory which is appropriate for the actor’s psychological expression, and suggest the possibility of a new animation acting theory based on Mikhail Chekhov’s acting theory.
#애니메이션 #미하일 체홉 #심리 제스처 #디즈니 12원리 #연기 이론 #애니메이션 액팅이론 #Animation #Mikhail Chekhov #Psychic Gesture #Disney's 12 Principles #Acting Theory #Animation

Contents

1. 서론
2. 디즈니 스튜디오 작품 속 캐릭터 도입과 의의
3. 월트 디즈니의 연기론
4. 할리우드 배우 액팅과 디즈니 애니메이션 액팅의 관계
5. 체홉의 연기이론에 근거한 디즈니 애니메이션 액팅의 재해석
6. 디즈니의 12가지 원리와 체홉의 심리 제스처
7. 결론
참고문헌
Abstract

References (5)

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[단행본] - 닐 개블러 / 2008 / 월트 디즈니: 미국적 상상력의 승리 1 / 여름언덕 google schola [단행본] - 닐 개블러 / 2008 / 월트 디즈니: 미국적 상상력의 승리 2 / 여름언덕 google schola [단행본] - 미하일 체홉 / 2015 / 배우에게 / 동인 google schola [단행본] - 장 자크 루빈 / 1993 / 연극 이론의 역사 / 폴리미디어 google schola [단행본] - Thomas, F. / 1995 / The illusion of life / HyperionBooks google schola

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