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A Study on the Structural Changes of the Field of Artistic Production in Korea - Focusing on the changing aspects of the 1990s -
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한국 미술생산장의 구조 변동 연구 : 1990년대 전후의 변화 양상을 중심으로

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Type
Academic journal
Author
Hyeyoung Shin (연세대학교)
Journal
KOREA ASSOCIATION FOR HISTORY OF MODERN ART Journal of History of Modern Art Vol.43 KCI Accredited Journals
Published
2018.6
Pages
89 - 111 (23page)

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A Study on the Structural Changes of the Field of Artistic Production in Korea - Focusing on the changing aspects of the 1990s -
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Research history (2)

2018

A Study on the Structural Changes of the Field of Artistic Production in Korea - Focusing on the changing aspects of the 1990s -
Hyeyoung Shin Journal of History of Modern Art 2018.06 Academic journal

2017

A study on structural changes in Korea''s field of artistic production and the strategies of agents : focusing on the emergence of newcomers and strategic changes since the second half of the 2000s
신혜영 2017.01 Thesis
  • Are you curious about the follow-up research of this article?
  • You can check more advanced research results through related academic papers or academic presentations.
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Abstract· Keywords

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This paper examines the structural change of the artistic production field in Korea from the establishment of modern art to the present in connection with the social context. I divide the structural change into three parts and focus on the main issues of each part. First, from the 1950s to 1980s, I look at the process of positioning of the abstract art as a mainstream under the national influence in the formation and development of modern art, and also I pay attention to the process of re-evaluation and positioning of Minjoong-misool. Then, in the 1990s and 2000s, it is understood that the art practice is centered on individual artists, unlike the previous period, which was grouped according to a certain art movement, and the causes were identified as expansion of the system. This study reviews the changing institutions and determines the trajectory of taking position of artists in the restricted production field by reviewing the overlap of the major exhibition and award systems. Meanwhile, this paper examines the problem as the artists’ survival and small-scale collaborative activities as the structure of the field has become more polarized since the late 2000s. As a result, I try to reach the essential problem of the current artistic field in Korea.
#상징투쟁(symbolic struggle) #구조적 종속(structural subordination) #제한 생산장(restricted production field) #동시대 미술(contemporary art) #프레카리아트(precariat) #콜렉티브(collective)

Contents

I. 들어가며
II. 미술생산장 내‘ 상징투쟁’에 관한 선행 논의
III. 1990년대 동시대 미술생산장으로의 이행
IV. 2000년대 후반 이후 양극화된 미술생산장
V. 나가며
참고문헌
국문초록
Abstract

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