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A Study on the Direction of Experiential Exhibition Space Design through the Sensory Theory of Gilles Deleuze - Based on 『The Logic of Sense, Francis Bacon: logique de la sensation』 -
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질 들뢰즈 감각론을 통한 체험형 전시공간디자인의 방향성 연구 - 『감각의 논리, Francis Bacon: logique de la sensation』를 중심으로-

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Type
Academic journal
Author
Lee, Sang-Hee (국민대학교) Kim, Kai-Chun (국민대학교) Kim, Ji-Eun (국민대학교)
Journal
Korean Institute of Interior Design Journal of the Korean Institute of Interior Design Vol.29 No.6(Wn.143) KCI Accredited Journals
Published
2020.12
Pages
82 - 93 (12page)
DOI
10.14774/JKIID.2020.29.6.082

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A Study on the Direction of Experiential Exhibition Space Design through the Sensory Theory of Gilles Deleuze - Based on 『The Logic of Sense, Francis Bacon: logique de la sensation』 -
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Research history (2)

2021

A Study on the Change of Meaning of Experiential Exhibition Space through the Sensory Theory of Gilles Deleuze : Focusing on 『Francis Bacon: The Logic of Sensation』
이상희 공간.라이프스타일디자인학과 2021.01 Thesis

2020

A Study on the Direction of Experiential Exhibition Space Design through the Sensory Theory of Gilles Deleuze - Based on 『The Logic of Sense, Francis Bacon: logique de la sensation』 -
Lee ,  Sang-Hee ,  Kim Journal of the Korean Institute of Interior Design 2020.12 Academic journal
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Abstract· Keywords

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For a long time humanity has been trying to understand the world using ‘senses’ Gilles Deleuze viewed sense through ontological event where no boundary separates object and subject. His intuition proves that sense is the primal experience that is directly transferred without taking a detour called story. If one is to view an exhibition space using sense referred by Deleuze, the exhibition must help the viewer shudder without actually making the viewer shudder. Based on such background, the purpose of this study is to investigate the direction of modern exhibition space to allow visitors to experience ‘sense’ focusing on 「Logic of Sense」. The study will first conduct a theoretical investigation on sensationalism to gain general understanding. Secondly, elements of Deleuze’s Sensationalism and Francis Bacon’s work will be analyzed based on documents written by Deleuze. Thirdly, the study will propose a method for sensory expression in experience exhibition space based on the link existing between sensationalism and exhibition space. Lastly, the study will suggest the direction of modern experience exhibition space based on case analysis investigated in the study. The direction of the essence of modern experience exhibition space depends on the conveyance of ‘sense’ and ‘invisible power.’ By analyzing cases suitable for the purpose of the study, it was confirmed that viewers perceive space differently depending on action. Additionally, the study also showed that variety of actions in exhibition space makes the ‘space itself’ as a part of exhibition without the presence of objet and allow more varied understanding of the space. Attempts to understand using fundamental thinking process helps to see the direction of modern experience exhibition space and act as an effective means to predict such direction. The study hopes that such method would in turn expand to become one type of exhibition design process.
#질 들뢰즈 #프랜시스 베이컨 #감각의 논리 #감각 #전시공간디자인 #Gilles Deleuze #Francis Bacon #The Logic of Sense #Sense #Exhibition Space Design

Contents

Abstract
1. 서론
2. 감각론의 이해
3. 감각론의 체험 전시 공간적 특성
4. 질 들뢰즈 감각론을 통한 체험전시공간 사례분석
5. 결론
참고문헌

References (18)

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한영숙, 프란시스 베이컨(FrancisBacon)의 회화와 그의 예술세계- 질 들뢰즈에 근거한 감각적 예술론의 모색-, 홍익대학교 석사논문, 2007. google schola 김영철, 감각의 논리: 철학자 들뢰즈가 화가 베이컨에게 배운것, 아시아교육연구, 20권 4호, 1207-1231, 2019. google schola 심웅택, 질 들뢰즈 F. 베이컨 회화 분석에 관한 소고, 충남대학교 예술문화연구소 논문연구발표집, 13권, .47-61, 2006. google schola 김석영, 렘 콜하스의 실내공간과 질 들뢰즈 회화론의 유사점 연구, 한국콘텐츠학회논문지, 12권 10호, 138-147, 2012. dbpia 원하연, 질 들뢰즈(Gilles Deleuze)의 감각론을 기반으로 한 융합형 공간 설치 디자인 연구 ?크리지스토프 우디츠코(Krzysztof Wodiczko)의 작품을 중심으로-, 한국과학예술융합학회, 37권 5호, 227-238, 2019. dbpia

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