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Experimental Art Exhibitions of Korea's AG(Avant-Garde) Group
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AG(Avant-Garde) 그룹의 실험미술 전시 연구

논문 기본 정보

Type
Academic journal
Author
Yeon Shim Chung (홍익대학교)
Journal
KOREA ASSOCIATION FOR HISTORY OF MODERN ART Journal of History of Modern Art Vol.51 KCI Accredited Journals
Published
2022.6
Pages
31 - 56 (26page)
DOI
10.17057/kahoma.2022..51.002

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Experimental Art Exhibitions of Korea's AG(Avant-Garde) Group
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In the history of postwar Korean art, Dansaekhwa has garnered international attention in terms of both art history and the art market. At the same time, the exhibition history of Korean art groups such as AG(Avant-Garde) attests to the diverse discussions and debates on the issue of ‘experimental arts’ in Korea. This paper analyses the art and essays of these experimental artists as well as critical protagonist Lee Yil. It also explores AG’s exhibition history in relation to “avant-garde modern art” that its journal pursued. In the journal, participants discussed the “environmentalization of spatial art,” “experience-based art theory” and “methods,” in Lee Yil’s terms. The members organized three major AG exhibitions and the Seoul Biennale(1974) and published the journal AG four times between its establishment in 1969 and its dissolution in 1975. They employed dematerialized nature in their works by responding to the urbanization of the Seoul metropolis at that time. Inspired by the Paris and São Paulo Biennales, the AG group considered “international contemporaneity” significant to their activities and exhibitions.
#한국의 실험미술(Korean Experimental Art) #AG 그룹(Avant-Garde Group) #비평가 이일(Art Critic Lee Yil) #한국의 전위미술(Korean Avant-Garde Art) #한국아방가르드협회(Korean Avant-Garde Association) #서울비엔날레(Seoul Biennale) #하종현(Ha Chong-Hyun) #서승원(Suh Seung-won) #김구림(Kim Kulim)

Contents

Ⅰ. 서론
Ⅱ. 『AG』가 지향하는 전위적 현대미술
Ⅲ. 한국아방가르드협회 기획 AG 전시
Ⅳ. 결론
참고문헌
국문초록
Abstract

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