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Reality of Art, Art of Reality: Lee Yil's Early Art Criticism (1962-1974)
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미술의 현실, 현실의 미술: 이일의 초기 미술비평(1962-1974) 분석

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Type
Academic journal
Author
Journal
KOREA ASSOCIATION FOR HISTORY OF MODERN ART Journal of History of Modern Art Vol.51 KCI Accredited Journals
Published
2022.6
Pages
5 - 29 (25page)
DOI
10.17057/kahoma.2022..51.001

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Reality of Art, Art of Reality: Lee Yil's Early Art Criticism (1962-1974)
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In this essay, I examine how art critic Lee Yil placed Korean art within the topography of the international art world and what he proposed as the future of Korean art, envisaging autonomous Korean art in the 1960s and the 1970s. I particularly focus on the concept of reality, which was transformed in many ways in his criticism. In his representational view of art, that is, “art which draws what is seen,” reality was the ‘fact’ that is seen. Encountering the discourse of contemporary civilization and related new art forms in the mid-1960s, Lee Yil came to comprehend reality, the object of art, as contemporary civilization, and proposed technology- and object-based art as an ideal of Korean art. This overlapped with the activity of the Korean Avant-garde Association, which actively used Marshall McLuhan’s perspective in their art discussion. Nonetheless, in 1971, after a series of attempts and doubting the feasibility and legitimacy of applying the discourse of contemporary civilization to Korean art, Lee Yil came up with a new concept of reality, which was a phenomenologically reduced world, and also with a new kind of art form, which he called “obŭje art.” Lee’s continuous attempts to keenly react to the currents of the international art world, to seek the meaning of reality, and thus, to discover and realize a desirable kind of Korean art were the basis of diverse artistic experimentations during the period.
#이일(Lee Yil) #한국 아방가르드 협회(Korean Avant-garde Association) #오브제 미술(objet art) #현실(reality) #사실주의(realism) #미술비평(art criticism) #후기식민성(post-coloniality) #한국현대미술(contemporary Korean art)

Contents

Ⅰ. 들어가며
Ⅱ. 1960년대의 이일: ‘테크놀로지’와 ‘오브제’, 그리고 현실을 나타내는 미술
Ⅲ. 1969년의 이일과 AG: 1960년대 말 한국의 현실에서의 미술 시도
Ⅳ. 1971년 이후의 이일과 AG: 현상학적으로 환원된 세계로서의 현실과 ‘오브제 미술’
Ⅴ. 나가며
참고문헌
국문초록
Abstract

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