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자료유형
학술저널
저자정보
저널정보
한국현대문학회 한국현대문학연구 한국현대문학연구 제14집
발행연도
2003.12
수록면
143 - 171 (29page)

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초록· 키워드

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The purpose of this paper is to analyze the meaning of 'civilization' in Lee Kwang-soo's. Translation of 'love', 'society', 'individual' brought a lot of confusion to the modernization of the Oriental. In the western, 'civilization' means cultive, poli, police. However the translation of the word, 'civilization' was mixed with the 'science', their transformation reflects science discourse which was caused by the reconstruction of domestic sphere.
Since the 1880s, trends on electric trigger people curiosity. The electricity has a symbolic meaning which is a green light to new world of science. There was also increasing discourse on 'modern science' , such as chemistry, physics, biology. However, there was a gap between the science imagined by Lee Kwang-soo and the science in reality. We may see this in Lee Kwang-soo's which were published serially in a daily newspaper. They are Moo Jeong(<무정>), and Gae-cheok-ja (개척자).
Lee Kwang-soo particularly depicts a chemist and biologist like Lee Hyung-sik and Kim Sung-jae. They are such geniuses who are portrayed as modern heroes. In spite of their too much idealistic act, their strong character had aspirations to get Chosun and the people civilized.
In his works, what stUdents study abroad became more specific compared with Sinsosul(신소설). It was just not new study, but new study of science. According to his logic, modernization came from the new intellects who went abroad and studied new kind of science. These students were also related to the real ones of 1910s who Lux Sdention(『학지광』), a magazine for students studying in Japan, described in it.

목차

1. ‘문명‘의 도입과 번역어로서의 ‘싸이엔스‘

2. ‘비실재물‘인 과학에 대한 매혹

3. 천재론의 대두와 과학자의 등장

4. 근대적 학문으로서의 과학과 유학생의 의미

5. 결론

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