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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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The main purpose of this paper is to suggest that “Ban-gong-juui (반공주의, anti-communism)” can be one of institutional and political conditions pursuing the purity of Korean literature or its intention. In the context, the second purpose of this paper is to study the ideological constitution and the logical process by the unity and the disunion between literature and ideology in Dong-lee Kim's “Pure Literature Theory” just after Korean Liberation. In addition, based on above purposes, the third purpose aims for describing the ideological homology in communist character images in his novels during the liberation epoch.
Dong-lee Kim's Pure Literature Theory is a logic and literary discourse which is presented on the epistemological basis of anti-communism. It was organized by a series of the processes considered the leftist literature and their theories as the other against the center, the evil against the good, and the falsehood against the truth after the Korea's 8.15 Independence. His Pure Literature Theory presupposed Young-hee Park's ideological conversion became an other form replacing all the real politics and literary theories. This discourse was also the ideological status divided things into the good and the evil, the true and the false, and showed the terrain of literature as non-political politics. In the meantime, Dong-lee Kim's novels for the Korean Liberation Period well represent the process of embodying the images of leftist heroes in terms of anti-communism.
Yun-hoe-seol (윤회설) and Hyoung-jae (Brothers) were the key examples for Dong-lee Kim's ideologies of pure literature. Yun-hoe-seol took the political reality as story material to present the intelligentsia as the anti-communist riding on the current, while Hyoung-jae is an example more shaped up leftist character who went through “Yeu-Sun-Sa-Tae.” Especially in Hyoung-jae, the leftist, Pal-gaeng-yee (the Red), was embodied as anti-national and anti-human character to attract the view from the surrogate of national humanism and nation.
By joining these elements, Dong-lee Kim's novels represented the orientation of the rightist persons' lives absorbed in human freedom and destiny, and made up the edifice of pure literature. His orientation toward literature originated from the ideology of the Cold War, but was a historical product sublimated “purity” of literature nullifying the antagonism against the leftists.
Dong-lee Kim's Pure Literature Theory is a logic and literary discourse which is presented on the epistemological basis of anti-communism. It was organized by a series of the processes considered the leftist literature and their theories as the other against the center, the evil against the good, and the falsehood against the truth after the Korea's 8.15 Independence. His Pure Literature Theory presupposed Young-hee Park's ideological conversion became an other form replacing all the real politics and literary theories. This discourse was also the ideological status divided things into the good and the evil, the true and the false, and showed the terrain of literature as non-political politics. In the meantime, Dong-lee Kim's novels for the Korean Liberation Period well represent the process of embodying the images of leftist heroes in terms of anti-communism.
Yun-hoe-seol (윤회설) and Hyoung-jae (Brothers) were the key examples for Dong-lee Kim's ideologies of pure literature. Yun-hoe-seol took the political reality as story material to present the intelligentsia as the anti-communist riding on the current, while Hyoung-jae is an example more shaped up leftist character who went through “Yeu-Sun-Sa-Tae.” Especially in Hyoung-jae, the leftist, Pal-gaeng-yee (the Red), was embodied as anti-national and anti-human character to attract the view from the surrogate of national humanism and nation.
By joining these elements, Dong-lee Kim's novels represented the orientation of the rightist persons' lives absorbed in human freedom and destiny, and made up the edifice of pure literature. His orientation toward literature originated from the ideology of the Cold War, but was a historical product sublimated “purity” of literature nullifying the antagonism against the leftists.
#반공주의(anti-communism)
#빨갱이(purity)
#순수성(intention for purity)
#순수지향성(pure literature)
#순수문학(the ideological root in pure literature)
#순수문학의 이데올로기적 기반(antagonistic other)
#적대적 타자화(the cognitive logic of cold war diplomacy)
#인간의 자유와 운명(human freedom and destiny)
#냉전적 인식논리(Pal-gaeng-yee)
#휴머니즘의 대행자(the surrogate of humanism)
목차
1. 들어가는 말
2. 이데올로기적 진영화와 순수문학론의 구성
3. 좌익인물 이미지와 순수의 위치
4. 순수문학의 반공주의적 토대
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