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Cinematic Transformation of Dramatic Language Strategy in Pinter's Screenplay
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Type
Academic journal
Author
Park, Jong-Duck (계명대학교)
Journal
The New Association Of English Language & Literature THE NEW STUDIES OF ENGLISH LANGUAGE & LITERATURE No.61 KCI Accredited Journals
Published
2015.8
Pages
73 - 92 (20page)

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Cinematic Transformation of Dramatic Language Strategy in Pinter's Screenplay
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The purpose of this paper is to examine Harold Pinter’s cinematic language strategies and patterns used in his screenplay, The Servant. Robin Maugham’s 1948 novella, The Servant was the source for Pinter’s first movie script. Pinter was fascinated by the novella’s main theme which was the repeated theme of dominance and subservience in Pinter’s plays. This screenplay is related to prominent dramatic characteristics of Pinter’s early comedies of menace thematically and stylistically that Pinter had been writing for the stage. The screenplay, The Servant contains many of the elements and features which appeared in the screenplays which Pinter wrote over the next several years, focusing on the concept of domination and especially frequently expressed with humorous Pinteresque dialogue. In this screenplay the Pinter brand of humor and dialogue also appears. The confused, meaningless, yet funny social small talk that Pinter captures so well in demonstrating the lack of communication between people is prominent and scattered in The Servant. In many of his early stage plays, Pinter included items to related to theme of dominance and subservience especially by using Pinteresque dialogue. This paper analyzes Pinters philosophy on language and Pinter’s dramatic elements of dialogue which appeared as exaggerated repetition and so forth in his first screenplay, The Servant.

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UCI(KEPA) : I410-ECN-0101-2016-840-001856278