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Analysis of Works on Handwriting Art Abstract Painting By Song Hyeon-sook : Brushstroke as Trace of Physicality
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송현숙의 서체적 추상회화 분석 : 신체적 흔적으로서의 붓질

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Type
Academic journal
Author
Park Young Taik
Journal
Korean Society of Basic Design & Art Journal of Basic Design & Art Vol.18 No.6 KCI Accredited Journals
Published
2017.12
Pages
245 - 257 (13page)

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Analysis of Works on Handwriting Art Abstract Painting By Song Hyeon-sook : Brushstroke as Trace of Physicality
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Accordingly, there has been an aspiration for exploring the prototype of Korean art and representing as well as Korean spirits in paintings regardless of genres and materials. Handwriting art abstract painting was one of these attempts coming from Korean traditional handwriting. In consequence, they strived to apply the experience of using painting brush into western modern method. They introduced "the theory of Calligraphy and painting" in China and "the theory of a single jot" claimed by Seokdo. Calligraphy works produced by Chusa Kim Jeong-hee was their ultimate formative world. On the other hand, Song Hyeon-sook presented unique handwriting art abstract paintings only composed of brushing and strokes at the beginning of 1990s. In her painting where number (sequence) of brushing is its title, brushing is subject to a reductive method of western modernism. However, it paradoxically evokes symbolic images dwelled on the layer of Korean unconsciousness at once. Moreover, this brushing all reflects the process and temporality of body, breath, and trembling while drawing paintings. This is slightly different from the inclination of somewhat ideological eastern and western painting or borrowing lines in terms of imitating external gesture of calligraphy shown by calligraphic abstraction of Korean painters. In this sense, it is necessary to interpret various values abstract paintings painted by Song Hyeon-sook. It is a meaningful attempt in terms of the possibility of Korean painting, exploring painting as a medium, and ultimately the possibility of relatively physical painting on the extreme pursuit of image desomatization presented in the current image media.

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